Harmony Avenue

Where great music always has a home.

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Two Songs of the Day: “Keep Your Head Up” and “Landfill”

Since, as usual, I haven’t posted in a while, here’s not one Song of the Day…but two! They’re very nicely contrasting in style, and they’ve been on my mind (and in my ears) for a while. The first song? How about a little…

“Keep Your Head Up” by Andy Grammer!

A good friend, who’s now living and working as a sound engineer in the very entertainment-filled city of Branson, Missouri, actually tipped me off to this song, and Andy Grammer’s music in general. (He also was lucky enough to be able to attend an Andy Grammer/Natasha Bedingfield/Kate Voegele concert a month or two ago.) This song is very upbeat and positive, but what I really love about it, and a lot of Andy’s music that I’ve heard, is that it balances that positivity and catchiness with a nice sense of depth and maturity. It’s a very happy song that will most likely get stuck in your head (and keep your finger glued to the repeat button), but it has substance and a little something that keeps it from being too sticky-sweet, like some upbeat songs can tend to be. It also helps that Andy’s voice is soaring and very easy on the ears…it’s a great balance of textures, and it works very nicely for this song.

Now, for a more introspective offering…

“Landfill” by Daughter!

This was the Indie Spotlight Free Download on iTunes a week or two ago, and even though I got it for free (you can too…this SoundCloud widget includes a download link), I would have gladly paid quite a bit of money for it. It’s a gorgeous, heartbreaking, beautifully fragile song, full of warmth, longing, and soul. (Enough descriptors there for you? Whew.) The lyrics are very powerful…the crux of the song comes at the end of each chorus, when Daughter (AKA Elena Tonra) sings the very relatable line, “I want you so much…but I hate your guts.” The duality of desire and bitterness over a love lost is a very striking one, and it, along with Elena’s stunningly pure, expressive voice, and the beautifully stark instrumentation, makes for an unforgettable listening experience.

See y’all soon with some more new posts (in fact, if all goes to plan I should be introducing an intriguing new weekly feature tomorrow), and quite possibly, a new blog theme. Stay tuned for more musical goodness here at Harmony Avenue.

Song of the Day: “The Ladder”

So I’ve been gone for, y’know, more than 2 weeks or so. 16 days of silence. Many apologies for that, since from the beginning I’ve intended for Harmony Avenue to be something that I don’t leave alone for weeks and months at a time, but a project that I’m actually dedicated to updating and putting my heart into. And I’ve loved where this blog has gone so far, and I can’t keep moving forward if I end up having such a long break like that. Sorry to fill the void with yet another Song/Music Video/quick post of the Day, but at least it’s something until I return to regular (full-sized) posting. Tonight’s spotlight? How about a little…

“The Ladder” by Andrew Belle!

Andrew Belle’s terrific new CD, also titled “The Ladder,” recently came to my attention through an email sent to me by NoiseTrade (a great site I mentioned in an earlier post where lots of great artists post music that’s offered for absolutely free of charge) about how said album was being offered for 3 days (of course, for free) on the site. Sadly, that deal is no longer available, but you can still find a nice EP or two of his there (just click on the link and it should be pretty simple to come across). Anyways, I discovered when I started listening to the album that the 3-day deal wasn’t just a good deal…it was an INCREDIBLE one. Andrew’s music draws a lot from similar male singer-songwriters like Greg Laswell and the like, but it’s strikingly original as well, and very passionately delivered. It’s music with heart and soul and life, not just some cookie-cutter ‘pretty’ stuff you’d hear while shopping at some trendy boutique. :) This particular song is the jaunty title track that opens the record, and it’s one of my favorites off the album. You can check out Andrew’s website here. All his music is highly recommended.

So will I ever break out of this short-post rut? What I’m planning in the coming week:

  • My long-gestating Grammy predictions/wishes post
  • At least one new album review and/or artist spotlight
  • A Sketches post about…something (I originally planned for it to be about men’s choirs, but I might just make it a little bit of this & that…TBD)
  • And maybe something else entirely.

I’ll do my absolute best to make sure there’s not any long 16-day breaks again here on Harmony Avenue (well, at least until I leave on my mission in a few months, in which case there will unfortunately be, y’know, a 2-year break or something :) ), because I want to keep sharing my love for great music…and of course, as much of said great music itself as possible…for a long time. Thanks for reading, and I’ll see y’all posthaste with another new post.

Album Review: Once, Or Twice

OK, now I can talk about the free stuff. Actually, not yet. First, a little background. This is a review of the newest album by a terrific artist named Julia Barry. She was the SoundClouder of the Day on SoundCloud a month or two ago (where SoundCloud spotlights various users & artists for a day), and after checking the songs she had up on her profile, I was completely hooked. So here’s the review of “Once, Or Twice”…stay tuned right afterwards for details on how you can win some free stuff. And some other cool items of business. :)

Album: Once, Or Twice

Album Artist: Julia Barry

Released: July 2010

There are few things reviewers tend to use more than comparisons. Perhaps it’s a way to make music look more competitive…or to make a tangible connection to the reader as to what avenue the artist being reviewed is taking…or just a way to throw around names for kicks and giggles. Heck, sometimes even the musicians themselves end up using comparisons, in order to draw people with similar tastes to their craft. Whatever the reason, it’s hard for a musician to escape comparisons (whatever they may be) in today’s music world, and for female singer/songwriters, it’s often been vogue for one singular name to pop up over and over again…that of Joni Mitchell. If a woman plays piano and/or guitar, sings, and writes something anywhere near introspective, she must be the second coming of Joni Mitchell. Sometimes, these comparisons are slightly misplaced…the artist in question may be outstanding, but they may have little to do with the legendary Canadian singer/songwriter. The essence of Joni is sometimes hard to place, and all too often it ends up misplaced when used in reference to contemporary female artists.

Which makes it all the more interesting that the first name that came to mind when I sat down and listened to Julia Barry’s new album “Once, Or Twice” was…Joni Mitchell. Sonically, the two women aren’t quite the same…Julia brings a much more jazz-fueled, at times blues-tinged aesthetic to her music, while the jazz influences in Mitchell’s music have mostly remained either incredibly subtle or readily apparent. But there’s something about Julia Barry’s music that finds a kindred spirit in what Joni Mitchell has become so well-known and beloved for. “Once, Or Twice” is a lush, rich record full of beautiful, haunting music, sung by a voice that’s all at once pure, flexible, and expressive. What’s more, Julia Barry has a unique gift for songwriting and storytelling. Her songs paint a picture…often mysterious, sometimes unclear, almost always open to interpretation by the listener…but vivid and gorgeous all the same. She draws the listener in with warm, deeply personal songcraft, but at the same time stays enigmatic, revealing something new upon each listen.

The record starts off with “But Sweet,” a softly playful tune (with some terrific guitar work) that begins with the boldly adventurous line, “She was a sexy thing, and he liked that she secretly wore zebra underpants.” This is the kind of smoky, sultry number that could easily go wrong…but Julia keeps it grounded with an assured, lovely delivery, and an intriguing tonal shift in the latter part of the song. “Yet I Do” and “For Example” are both absolutely gorgeous ballads that practically radiate depth and beauty. (Barry’s crystal-clear upper register is used to devastating effect in the latter’s chorus.) “What Else” drives and flows with a unique urgency, and “Both Sides of the Moon” uses a quick, majestic piano intro to segue into a beautifully dark, textured swing.

Things keep getting better and better as the record goes on. “Everything Is Perfect,” where Julia is accompanied by only a guitar, is, well, pretty close to perfect. Arguably the best cut on the record, “Tell Me” is a subtly haunting bossa nova full of beautifully expressed heartfelt and loneliness. It practically begs for repeat listening. “Reverse” is also one of the album’s standouts, with some interesting slight rhythmic shifts, great lyrics, and a deeply melodic sensibility. “What If Love,” backed by luscious strings and piano, almost plays like a tone poem (think Joni Mitchell with “Paprika Plains”). “Canyon” is excellently soft and meandering, much like the barren desert landscapes it draws its imagery from. Finally, the album closer, “Homeward,” is strikingly written in a minor key, but makes a haunting balance between the light and the dark.

All in all, this is an outstanding album, full of life, spirit, and deep emotion. It’s beautifully sung, beautifully written, and beautifully performed, and isn’t just good for frequent listening…it deserves nothing less. Decades ago, Joni Mitchell made waves across the landscape of music with her haunting songcraft, and became an icon of the singer/songwriter genre. If there is any good in the world, Julia Barry will find the same success. With “Once, Or Twice,” she has certainly earned it.

 

*So now that you’ve read the review, you’re probably wondering how you can get this album. Or how you can find out more about Julia Barry. Guess what…you can! In about a week’s time, I’ll be posting an interview with Julia on this very blog. There are two contests that will be running in conjunction with the interview. First, you can win a free swag bag full of goodies from Julia (including “Once, Or Twice”). How? Just share the link to this very review on Twitter or Facebook. (You’re welcome to post it on both, but your entry will only be counted once.) The deadline for entry is Friday (though feel free to share Julia’s music, and this blog, long after that). In order for us to be able to find it easily, make sure to include the hashtags #harmonyavenue and #juliabarrymusic (whichever site you post it on). Here’s an example that you can feel free to copy and paste:

” Check out this review of  ”Once, Or Twice” & RT to win goodies + CD! http://wp.me/p19uKQ-V #harmonyavenue #juliabarrymusic “

Also, you can become a guest interviewer! Sort of. Submit your question for Julia via the comments. I’ll pick the best one for use in the interview.

The winner of the giveaway will be announced next week when I post the interview. Go forth and share! Feel free to share Harmony Avenue, or Julia’s music, in general as well.

Happy entering! And do you want to try before you buy/win? Listen to “Once, Or Twice” here:  http://juliabarry.com/album.html.

Song of the Day: “Do You Love Me”

Big, exciting things are afoot on Harmony Avenue! Starting tonight. But not yet. First, another lovely song of the day called…

“Do You Love Me” by Guster!

You know those ads on the side of Facebook? Yeah, they’re mostly annoying. But sometimes there’s some good ones. There are occasionally ads so painfully awkward they’re great to make fun of…but that’s not what I’m talking about here. There are also some ads for great music, and that’s how I discovered Guster, a great indie pop/rock band. The ad said something to the effect of “Do you like (insert artist I love here…I can’t remember quite which name the Facebook ad system pulled out of a hat)? Then you’ll love Guster! Listen to their new album here!” On an impulse, I clicked on it, and it took me to Guster’s Facebook page, where they had a SoundCloud preview of their whole latest album. And wow. It was good. DANG good. Here is one of my favorites. It’s a peppy, beautiful, totally uplifting and fun love song. (But not so peppy you’ll throw up…it’s a great balance of sweet and substantive.) Chances are it will brighten your mood. And take up residence in your head, but you won’t care because you’ll love it so much. Or something like that. Take a listen here:

Bonus! If you like what you hear…well, you’ll have to download this particular song on iTunes or something. But…there’s another song off Guster’s new album (called “Easy Wonderful”) that they’re offering for free! It’s a great tune called “Bad Bad World” (ironic title, eh?), and you can download it here: http://guster.com/badbadworld/

P.S.: So, the big, exciting things I was talking about earlier? They shall begin soon. I’ll be posting a special album review posthaste tonight, and you’ll have a chance to win free stuff! What is this, you say? Sorry, I can’t hear you right now. Details to come. :)

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